oohart艺术

In 1953, the Venezuelan artist Gego wrote of her approach to geometric abstraction: “Relations of lines, created, neither from the reality of seeing, nor from the reality, of knowing. Image that dissolves reality.” Like Gego’s suspended wire constellations, Jacob Hashimoto’s kites – assemblages of painted or printed rice paper amulets strung together to form mercurial abstracted landscapes – challenge the idealized form of the grid, as well as the hierarchical notions of support and ground.